"Why does Sookie love Bill and vice versa?"
"Why are there vampires? Are they hell spawn?"
"Do they have a conscience, guilt and/or a care of consequences?"
These are the things that should've been covered in the first episode. I'm still wondering why I'm rooting for these damn vampires at all. They are straight up killers. Bill is a killer. Why has the world embraced them instead of banding together to rid the world of them? No explanation. We just get the constant parody of Jesus freaks, hicks and political bullshit. Sure, it's cute, it's funny, but it's getting a little empty. Maybe the accusations are true. That I'm tainting by the goodness of Whedon's vamp stories and can't see past them. Excuse me if I like substance.
Bottom line is this. These vamps are flippin' evil. In Buffy's world she'd have little choice but to band together with Pastor Steve and Sarah Newlin of the Friendship of the Sun church and combine her slayer army with the little vamp-killing army they're building. Sometimes I even find myself slightly rooting for them! Now that can't be right. Wonder if the Buffster would like FOS's wooden bullets, thoguh? Seems more like Faith's type of thing. zing!
What's meant to be painted as a cultural difference still seems an awful lot like watching hunters and prey do their wild, one eats the other, sort of dance to me. Obviously the mythos of Buffy extends much further given far less wiggle room on the nature of vampires. They're evil and soulless monsters (except those two hot guys). I wonder what the Buffy story would look like if they spent an arc doing all the telling from the perspective of the vampires. I bet it'd look an awful lot like True Blood. That's my two cents on it anyway.
































The Bad - The wannabe "post- Skynet apocalypse" looking set decor wasn't Whedon's finest. I understand we were working on a limited budget, here, but the opening scene was a sad reminder of how
Duschku's absence was weird to me, her being the main character and all and when she did appear, her scenes became a distraction. The first scene where she announces that she's still getting headaches and then screams out in unconvincing pain right after that declaration was stupid and I can't believe it even happened. Then there was the brick wall-breaking, gun-toting Caroline with her silly one-liner. No thanks.
The performances were solid. I actually didn't mind Dushku as much as some but, then again, I was just happy she wasn't the focus. Dollhouse is at it's best when it's treated as a true ensemble piece. Felicia Day is, well, Felicia Day. It's nice seeing her do something that isn't just on the interwebs. It's really a shame this didn't go to air. Amy Acker earns the break out performance though. Her treatment of Whiskey in stark contrast to Claire Saunders is spell-binding and unnerving. It's actually pretty similar to the turn from Fred to Illyria actually and there aint nothing wrong with that.


